Photo and Mixed Media

Two Series Using New Technology

The Future Doesn’t Look Like the Past and Joint Meeting of the Robots is a mini-series of digital prints that explores ideas of the future that we entertained in the past. A veritable playground for Surrealist methods and ideas. Both are set in a past-landscape featuring future-technology. Steampunk balloons float over a Boschian garden and robots roll through a Dali desertscape under their organic terra-formed glass space-pods. As I was playing with robots from the past, I ventured into the world of artificial intelligence, a surreal experience if there ever was one!

While continuing to work on the Cloud Machines series, I used combinations of my own drawings to customize the generative AI models and then generated new images. Scaffolding for the Sky and Sky Project: Piece One are unique additions to my previous series.

Thoughts on AI
Over the past two and a half years working with artificial intelligence, I’ve realized that AI and I have a lot in common. As an artist who works with found objects and chance elements, I also “scrape” the world around me for images and materials. Like AI, I rely on a kind of algorithm—mine just happens to be made up of my aesthetic instincts and intellectual curiosity. My “prompts” are the questions that guide each piece as it takes shape. When I use* different AI platforms, I often have to push back against their built-in algorithms, which tend to have biases and favour the popular or predictable, to carve out a space that reflects my own artistic concerns.

*AI insists that we are collaborating; I strenuously disagree.

Studio Project: Ceiling Confessions

More than any other architectural feature the history of this light-industrial building can be read in the uncovered patchwork of its ceilings.  Whatever colour the ceilings of the Standard Bread Building started as, they are now a kaleidoscope of original subtle neutrals, aged and stained, dark brown from some intervening era, and bright white painted shapes to protect us from the asbestos. Aluminum grids from absent drop-ceiling, redundant water pipes, electrical conduits and wires all zigzag across this canvas joining with active lights, outlets and a sprinkler system to create a dynamic pattern.       
Soon this building will be renovated and all of its tracery will be lost, I seek to capture some of the eccentricities that I find inspiring.

Through a Window

The surface of the glass is the focus point for these photos. What lays behind the window of these three series has a relationship to the lens of the window. There is a push/pull created through pictorial expectations and optical sharpness. We think we have been invited to look through the window, but are pulled back to the surface again.

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